(This page is a part of the contradance pages maintained by Kiran Wagle)
some books of dances
The best way to get a book (or CD or tape or whatever) listed here is
to send me a copy. These are roughly in chronological order. These
books can be ordered from their authors or editors, and (*) as part of
my ongoing campaign to eliminate the folk process, I have copies of
some of them for sale. And thanks to Jeff Spero for
suggesting this page, which was last
revised on September 5, 1996.
(and books about dancing)
Dance All Day, Too!
by Tom Hinds
(*) Tom takes credit for very little, but deserves credit for a great deal. He's one of the country's best callers and teachers, and he's just released a new book of dances, with illustrations by Denise Lair. Tom's not on the net (yet) but can be reached by snail-mail at 120 Three Forks Lane, Faber VA 22938.
(southern) California Twirls
edited by James Hutson and Jeffrey Spero <email@example.com>
(o) Jeff writes that this contains "contains 45 previously unpublished dances by people such as Jonathan Southard, <Gary Shapiro, and Erik Hoffman from Santa Barbara, Lou Dow, Drew Tronvig, Bob Proctor, Mary Judson, James Hutson, and myself from Los Angeles, and Martha Wild, Harry Brauser, and Joseph Taulane from San Diego." The book also contains a history of contra dancing in Santa Barbara, Los Angeles, and San Diego, written by Gigi deMarrais.
All Mixed Up
This classic little book on sound production for dances is now in its second edition. More to follow.
To Live is to Dance
(*) 34 dances including "The Dulcimer Lady," "Discombobulation," "Madison Avenue," and of course those modern chestnuts "Alternating Corners," "Equinox," and "The Green-Eyed Girl." Jim's dances are unusual, and not always easy to teach (unless you're Jim!) but very much worth learning and dancing.
Midwest Folklore and other dances
(*) A collection of dances published by the Urbana Country Dancers in honor of Orace Johnson, this is a diverse collection of classic Midwestern dances including many well-known dances by Kathy Anderson, Roger Diggle, Mark Richardson (and one by Mike Richardson too!) and Donna McAllister. Other contributors include Mike Boerschig, Erna-Lynne Bogue, Bill Sudkamp, Paul Tyler, Dave Cottle, and of course Orace himself and Michael Fuerst as well. This book has kept me up too late at night many times, and deserves a page of its own (and will get one in the fullness of time.)
(*) Erik is one of my favorite callers and people (we've never danced together, alas) and this book of his dances (including "Missing Duck," "There is no way to Peace, Peace is the Way," "Curly Cues," and the now classic "Rap Square") and articles from the Santa Barbara CDS's newsletter Dance Star perfectly captures Erik's personality. He writes on orientation and transitions, dancing to the music, giving weight, dancing the inactive role, eye contact, and that most elusive thing of all, style. This is a collection of articles, so it tends to repeat itself, but we're all too quick (or at least I am!) to forget these basics.
Calling for Beginners by Beginners
(o) This delightful little book (which even lives up to its name!) not
only contains David's thoughts on dance, dancing, and dance
communites, but also reproductions of his wonderful and intricate
pen-and-ink drawings, which grace many flyers for dances at the
Guiding Star Grange. Highly recommended. David reports that
Larry Jennings calls it "useless" and Sam Rotenberg says
it's "mostly disorganized" <grin>
Dance All Night (three volumes)
Dance All Day, Too!
by Tom Hinds
(*) Tom takes credit for very little, but deserves credit for a great deal. He's one of the country's best callers and teachers, and in these four little books you'll find such classic dances as Fisher's Jig, written for Laurie Fisher of the String Beings, and Batja's Breakdown, written for Batja Bell, whose papercuts illustrate the first volume. Tom's not on the net (yet) but can be reached by snail-mail at 120 Three Forks Lane, Faber VA 22938.
Dizzy Dances (three volumes)
(*) These three collections (volume 1 still exists, but is mostly of historical interest) contain many of the finer dances in the repertoire, as well as many other fine dances not commonly done. (One problem with the folk process is that good dances don't just drive out bad dances, good dances drive out other equally good dances.) Gene's choreography was responsible for a major change in the way contradances were written, and his dances and books are classics. Highly recommended.
Shadrack's Delight and other dances
Here you'll find such classics as "Flirtation Reel" and "For Those Who
Cared," as well as several more intricate dances that aren't called as
often and of course the story of Shadrack, who inspired Tony to begin
calling. Tony has also written a whole book (and a fine book) on
contra dance calling, called, not surprisingly, Contra Dance
Calling: a Basic Text. If a book could teach you everything,
this would be the one.
Son Of Shadrack
Contra Dance Calling: A Basic Text
GO to the contradance home page,
the article index,
the list of books,
the list of dance weekends,
the list of bands, musicians, and callers,
the page of random pages,
or the top of this page.
1628 5th Street NW
Washington DC 20001
+1 202 483 3373
firstname.lastname@example.org (Kiran Wagle)